15 presets built for
how your genre actually works.
Every AI mode in GrimoireScribe uses a writing style guide. Built-in presets are craft documents: genre-specific technique, prose rules, structural guidance, and mode-level behavior. Not a list of adjectives. Not a vibe.
Not a style description.
A craft standard.
Prose Rules
Sentence rhythm, punctuation philosophy, which verbs to reach for, what to avoid. The GrimoireScribe Fantasy preset, for example, does not use em dashes. That is a deliberate rule, not a suggestion.
Structural Guidance
How to open a scene, how to handle chapter breaks, how to pace action versus reflection. Structure differs by genre and the preset encodes those differences.
Mode-Level Behavior
Edit mode handles dialogue differently from how it handles description. Write mode applies different context-injection strategies than New Scene mode. Presets configure all of this.
All 15 built-in presets.
Signature5 presets
GrimoireScribe Fantasy
The foundation. Developed through the writing of an actual novel, not assembled from descriptions of how fantasy should sound. Nine core principles: sensory specificity, character psychology through action, atmosphere built from wrongness rather than announcement. All four sub-genre presets extend this standard.
GrimoireScribe Fantasy: Dark
Darkness earned, not performed. Makes bleakness meaningful through character ambiguity and the examination of power. Consequences are real and permanent. The morally correct choice and the narratively satisfying choice are frequently different things. Abercrombie, Erikson, Martin, Lawrence.
GrimoireScribe Fantasy: Epic
Scale and intimate human stakes held simultaneously. Multi-POV, world-historical narrative that keeps readers invested in specific people across hundreds of characters and multiple volumes. Individual sensory experience as the anchor for world-historical events. Jordan, Erikson, Sanderson, Tolkien.
GrimoireScribe Fantasy: Mythic
Mythology as the world's physics, not backdrop. Belief literally sustains or diminishes divine things. Prose that echoes oral tradition without sounding archaic. Gods with genuine psychology. The story that feels like it was always true. Gaiman, C.S. Lewis, Clarke, Miller.
GrimoireScribe Fantasy: YA
Emotionally sophisticated, morally complex fantasy compressed rather than simplified. First experiences as genuinely disorienting. Institutional power as a learning process. Real consequences from real choices. A narrative posture, not a difficulty level. Bardugo, Rothfuss, Schwab, Taylor.
Genre Fiction5 presets
Historical Fiction
The past as a living place, not a costume. Present tense and close third. Research-as-transparency: period details that convince the reader you were there, without turning the novel into a history lesson. Mantel, Tóibín.
Mystery & Crime
Information management. What the reader knows, what the detective knows, and what the truth is are three separate things. French's psychological depth. Flynn's structural surprise. Atkinson's layered time. Chandler's voice as atmosphere.
Thriller
Pace as a moral stance: this matters, it matters now, and the clock is running. Le Carré's slow burn. Flynn's structural surprise. Child's minimalist kinetic prose. Winslow and Silva's scope.
Literary Science Fiction
The speculative premise as thought experiment with human consequences. Le Guin's anthropological imagination. Chiang's philosophical precision. Jemisin's structural invention. Butler's unflinching examination of power.
Romance
The central relationship is the plot. Every scene must advance it, complicate it, or clarify what's at stake in it. Sustained tension between two characters the reader knows will end up together. Technically demanding in ways the genre doesn't always get credit for.
Literary3 presets
Literary Fiction
Character over event. Interiority woven into observation rather than announced: what the character notices is the emotion. Ishiguro's retrospective narrators discovering what they missed. Munro's architectural time: decades in two sentences, one hour in four pages. Dialogue as avoidance. No epiphanies. Partial understandings only. Munro, Ishiguro, Robinson, Strout.
Upmarket Fiction
The space between literary and commercial. Readability is a feature. Plot, character, and prose all matter. The challenge is keeping all three in balance. Commercial pacing with literary interiority.
Horror & Dark Fiction
Sustained dread across a novel-length work. Jackson's domestic uncanny. Barker's transformation of the familiar. King's investment in ordinary life as the thing being threatened. Horror is an emotion before it is a genre.
Nonfiction2 presets
Narrative Nonfiction & Memoir
How to render your own experience in a way that is useful to someone who is not you. Karr's unflinching precision. Strayed's unsentimental clarity. Didion's fragmented syntax as emotional state. Truth-telling that requires as much craft as fiction.
Narrative Journalism
Journalism as story. Scene-building and character work with the additional constraint that every specific detail must be traceable to a source. Activates research verification mode: source-first generation, [VERIFY] markers, source conflict flagging. Larson, Lewis, Boo, Grann.
Customunlimited
Build Your Own
Start from scratch or copy any built-in preset as your starting point. Modify any section independently. Custom presets are per-account and reusable across every book.
Preview any preset before applying it. Switch mid-project without affecting other books. The style guide applies to the book, not the session.
Same prompt. Same model.
Different world.
Same opening premise. Same AI model. One with the GrimoireScribe Fantasy preset applied. One without. Both unedited.
What the Cold Remembers
The first thing he knew was the sound.
Not wind. Not exactly. Something beneath the wind, a low and pressureless moan that did not come from any direction but seemed to rise from the ground itself, from the frozen earth pressed against his cheek, from the white nothing stretching out in every direction he had not yet looked.
He opened his eyes.
The sky was the color of old iron. The snow around his face had melted slightly from his body heat and then refrozen, leaving a shallow impression shaped vaguely like a man. He pushed himself up and his arms shook. His ribs sent a sharp pulse through his left side when he breathed.
Both of them. He looked at both of them.
His right hand was wrong.
No em dashes. Specific sensory detail. Precise over generic.
The Unmarked
The cold came before anything else.
Not gradually, not as a slow creeping awareness. It arrived all at once, absolute and merciless, like a verdict. He gasped into wakefulness, and the air that flooded his lungs was so sharp it felt like swallowing broken glass. His body convulsed once, violently, before some deep animal instinct clamped down on the panic and made him be still.
He was lying face-down in the snow.
He didn't know how he knew that word. Snow. He didn't know how he knew anything. Not the word for the colorless sky pressing down above him like a slab of pale stone, nor the word for the bare black trees that jutted from the frozen earth at wrong angles.
Em dashes. Stock similes. Generic atmosphere.
All 15 presets. Inside the app.
14-day free trial. One-time purchase. All future major versions included.